David Elliott had come to Montreal to do his master’s degree at Concordia. “It was cheap to live here and I like both cultures,” he says. After meeting his wife, Elise Bernatchez, with whom he had four children, he became an artist and teacher (for 40 years) at this university.
Inspired during his adolescence by the London Regionalism movement of Jack Chambers or Greg Curnoe, he turned to figuration and popular imagery when abstraction and formalism were at their zenith. “In Quebec, the only one that matched what I intrinsically loved was Edmund Alleyn,” he says.
Poetic, his works are part of museum collections – the Montreal Museum of Fine Arts, the Montreal Museum of Contemporary Art, the National Museum of Fine Arts of Quebec, the Nova Scotia Museum and the Pointe-à-Callière Museum. . Recently, the Canada Council for the Arts acquired Studio w Typewriter
Long represented by Joyce Yahouda, he now does business with gallery owner Nicolas Robert. He is also a curator and author. He published an article on Philip Guston in 2020 in the revered Border Crossings magazine and last year he organized an exhibition on R. Holland Murray at the Guido Molinari Foundation.
In the 1980s, David Elliott created large canvases, often after making preparatory models. It is therefore natural that he has turned to 3D collage cases in recent years. A practice that also stems from problems related to polio, contracted in his youth. The weakness of his nervous system forces him to work sitting down and has weakened his arms. But not his morale or his determination!
“When you’re young, your body pretends everything is okay, so I walked on crutches, climbed stairs and up ladders,” he said. Today, that is no longer possible. I made myself a workshop where everything is at my level. I can put my arms down while I’m cutting, for example. »
His boxes allow him to talk as much about current events as about personal experiences. “There’s an intimacy in my cases that there wasn’t in my canvases,” he says. My boxes have also evolved. They are now more detailed. »
David Elliott left his studio at 305 rue de Bellechasse during the pandemic. His current workshop is on the ground floor of his house. A workshop with works everywhere. Those in the process of being created, others recent and others older.
He creates with Photoshop, makes prints and a lot of DIY, to cut, paste and fix his images in the cases. He has always been a handyman. “After high school, I was doing cutouts in the basement at my parents’ house all by myself! he says. Very early on, the studio became a refuge for him, both artistic and personal.
David Elliott decided to pay homage to the workshops he had in the past. When he arrived in Montreal, it was rue Saint-Pierre. In 1978, he transferred it to rue Peel, near Wellington. From 1980 to 1995, he worked at 2247, rue Delisle, in Little Burgundy. Then, from 1996 to 2020, in the mythical 305, rue de Bellechasse.
“For short periods, for financial or family reasons, I worked at our house, rue Marcil, in 1979 and 1980, then rue Oxford, in 1986-1987. I also did two international residencies. In 2010 in a studio in New York and in 2013 at the Cité des arts in Paris. »
David Elliott is exhibiting his works this weekend in Nicolas Robert’s booth at the Plural fair in Old Montreal, including his Atelier box with sound system, which represents the atmosphere of the studio he shared with his ex-pupil Nicolas Grenier at 305, rue de Bellechasse.
As he turns 70 in June, he continues to savor his happiness to create that has never left him. He took up photography and feels more free than ever. “I’m spoiled,” he said. I’m mid-late in my career, so I do what I want! When I was young, I needed to come to terms with polio, and all my life, obstacles have been the norm. So today is fine! »
